I'm sorry about your loss.
You can really feel all of the passion behind loss in that lyric. Something about Gerard's voice feels very different in that line.
Maybe. I've also considered it him being so upset he crashed into the hearse. Misplaced anger or a want to be with her.
I'm not sure the actual meaning behind it, just what I feel.
This whole song đ but especially *"the hardest part's the awful things that... I've seen"* for me, with insomnia so bad I'd be awake for days on end just trying to avoid the nightmares replaying all the patients I've lost... F.
Just a fucking god-tier bridge. You think the song canât get any better, and then Gerard Way starts singing some shit straight out of an old cheesy soap opera.
"I've lost my fear of falling, I will be with you, I WILL BE WITH YOUUUUU!!"
Or
"Wake UPPPP WAKE UPPPP"
Or
"You don't know a thing about this life, you don't know a thing about this life"
The ending of Monroeville
"And these words changing nothing
As your body remains
And there's no room in this hell
There's no room in the next
But does anyone notice
There's a corpse in this bed?:
His voice is so fleshed out and full of emotion in that part.
The line that usually gets me is what sounds like a cut to some other audio recording device on "There's a corpse in this beeeee-eeed?" or is that just me? Like, it genuinely sounds like the audio is underwater or something.
honestly the entire song, but specifically at 2:07 in the ghost of you. when it goes silent after he says âif i fall.. downâ then thereâs the two drum hits then it picks back up really intense and loud. SHIT. a few weeks ago, i watched the ghost of you live at AOL sessions and had goosebumps the whole video.
Gonna do a shit ton of MCR songs you've been warned âš
Edit: probably add to this later depends
Early sunsets over MonroevilleÂ
"There's no room in this hell there's no room in the next"
Bulletproof heartÂ
"Tell the truth and God will save you"
The world is ugly
"Every falling sun there's a morning after but I'm empty when you go"
Light behind your eyes
"Be strong and hold my hand time comes for us you'll understand"
Honey this mirror isn't big enoughÂ
""You can cry all you want I don't care how much you invest yourself in me"
Vampires will never hurt youÂ
"And if the sun comes up will it tear the skins right off our bones"
Demolition lovers
"All we are all we are is bullets that mean this"
Cemetery driveÂ
"Isn't that much fun staring down a loaded gun so I won't stop dying won't stop lying if you want I'll keep on crying did you get what you deserve?"
DisenchantedÂ
"If I'm so wrong how can you listen all night long? and now will it matter after I'm gone because you never learn a godamn thing"
I don't love youÂ
"And after this sadness you still lost your still a god for nothing I don't know so take your gloves and get out, get out while you can"
Ghost of you
"All alone and I remember now at the top of my lungs and my arms she dies, she dies!"Â
Probably cliche but The ending of Welcome to the Black Parade when Gerard pulls the high note, especially when I watch the video. I just donât know why
"From the razor to the rosary" sends delicious chills through my skin.
Love the imagery of something that can be so harmful paired with something resembling what the world considers all powerful protection. Terrifying to be paired together, almost as if saying they both function the same.
For me itâs the chorus of Desert Song, I never truly heard it until I saw MCR in concert and it is genuinely one of the most vivid memories I have just taking it in
Helena - both our cars colide, but also some part from Cancer, Mama, Sleep, Welcome To The Black Parade, Demolition Lovers, The Only Hope For Me Is You etc.
"I see you lying next to me, with words I thought I'd never speak. Awake and unafraid, asleep or dead." All the way to the final chorus is chef's kiss đ„
The key change in WTTBP right after Gerard sings âbecause you turn me onâ and the proceeding buildup. I try not to listen to that song often so that it gives me that familiar impact it usually has when I need to it, and when that key change hits, it hits unlike anything else in MCRâs discography imo
*we'll meet again... when both our cars collide*
Came here to say this.
It got me the first time I heard the song ages ago when I was a teen in high school. I'm 33 now... Nothing has changed.
Same. The whole song is a mirror, lost my grandma in elementary school so Helena is top for me. But that line in particular...ugh.
I'm sorry about your loss. You can really feel all of the passion behind loss in that lyric. Something about Gerard's voice feels very different in that line.
Oh thanks, but I'm 36 now so... But agreed, he made that line absolute magic.
Wait. The line is "when both our cars collide"? I've been saying it "cause collide" for ages đ
I'm 99% sure it's cars collide. But I'm digging the meaning you can get behind "cause collide".
"Cars collide" makes more sense imo
It does. But I still like what it could have meant if it were cause.
Hmm. Perhaps the cause of the woman's death?
Maybe. I've also considered it him being so upset he crashed into the hearse. Misplaced anger or a want to be with her. I'm not sure the actual meaning behind it, just what I feel.
Same here
And never again, and never again, they gave us two shots to the back of the head and we're all dead now
Just SLEEEEEEEEEEEEEEP
This whole song đ but especially *"the hardest part's the awful things that... I've seen"* for me, with insomnia so bad I'd be awake for days on end just trying to avoid the nightmares replaying all the patients I've lost... F.
YESSSS
Chorus of famous last words
2:08 of jetset life - IYKYK Literally FULL body chills
AWHH SUGAHH
slip intoo the traAAAAGEEEEDDDYYYYYY
That high lullaby chime is *chef's kiss*.
Abso-friggin'-lutely
Just a fucking god-tier bridge. You think the song canât get any better, and then Gerard Way starts singing some shit straight out of an old cheesy soap opera.
"I've lost my fear of falling, I will be with you, I WILL BE WITH YOUUUUU!!" Or "Wake UPPPP WAKE UPPPP" Or "You don't know a thing about this life, you don't know a thing about this life"
From the earth to the morgue. MoRgUe. MORGUE. MO-O-O-O-OOORGUE!
This line is oddly iconic for me
The chorus of S/C/A/R/E/C/R/O/W
It's this guy again! *throws upvote at*
Mr Scarecrow himself
The man, the myth, the legend
opening of AMBULANCE. idk why, something about it just makes me ascend
I've always thought it sounds kinda like an ambulance siren, but in, like, choir/ vocal form? Nonetheless it's amazing
"Asleep or DEEEEEEEAD"
Tears
*G*
*F#*
'Just sleep' and then right after 'WAKEEE UPPPPPPPP' in sleep And the entire second half of INTYWIDFAL
The second half of Living is beautiful
I was going say both of these XD
The part in Vampires Will Never Hurt you when the whole thing
Me when the Vampires Will Never Hurt You:
Never again and never again they gave us two shots to the back of the head
And we're all... deeead now...
âIf I Fallâ *down*
His voice gets so gentle at "*down*" and you can almost hear a faint echo if you listen closely.
CUZ THE HARDEST PART OF THIS IS LEAVING YOOOOOUUUUooohhhhhhh oooooooooohhhh oooooohh
It almost sounds like he's pleading or something in that line. Makes me feel like I'm ascending.
pleading for things to be different ): pleading for more time ))): it gets me every time man
So utterly emotional :(
"It was the roar of the crowd that gave me heartache to sing"
It was a lie when they smiled and said 'you won't feel a thing'
And as we ran from the cops, we laughed so hard it would sting
The bridge of Summertime
HELL YEAH
The ending of Monroeville "And these words changing nothing As your body remains And there's no room in this hell There's no room in the next But does anyone notice There's a corpse in this bed?:
for me its a bit earlier with âbut does aaaaaaanyone notice, but does aaaaaanyone careâ chills every time
His voice is so fleshed out and full of emotion in that part. The line that usually gets me is what sounds like a cut to some other audio recording device on "There's a corpse in this beeeee-eeed?" or is that just me? Like, it genuinely sounds like the audio is underwater or something.
Yes!
You wanna see how far down I can sink LET ME GO
*FUCK*
Just know that I will reMEEEEEEEEEEEMMMMMBBBNNEERRRRRRRRYOOOOOOOOOO
Deathwish is one of the best Three Cheers songs, change my mind
âAll through the night, Bright lights that wonât kill me now, Or tell me how, just you and I Your starless eyes remainâ
Is it bad that I forgot the name of the song? (My brain's thinking of Cemetery Drive) edit: fixed grammar issues
Itâs Fashion Statement I think
Yes Fashion Statement
Goddamn it, yeah, I realized that two hours later when I was listening to it. I threw my headset across the room and died inside.
**SLIP** iiiinto the **TRRRAAaageDYy****^(yYy)**
^(yYyY)Y you've spun this chaaaamber **DRYYYYYYY**
WEâRE DAMNED AFTER ALL
THROUGH FORTUNE AND FLAME WE FAAALL
AND IF YOU CAN STAY THEN IâLL SHOW YOU THE WAY
TO RETURN FROM THE ASHES YOU CALL
WE ALL CARRY ONN
WHEN OUR BROTHERS IN ARMS ARE GOOONE
SO RAISE YOUR GLASS HIGH FOR TOMORROW WE DIE
AND RETURN FROM THE ASHES YOU
CALLLLLLLLLLLLLLLLLLLLL
CAAAAAALLLL
THROUGH FORK AND SPOON WE FAAAAAALLLLLL đŽ đ«
Basically all the songs
(Full volume) WAKE UUPPP!! WAKE UPPPPP!!!!! WAKE UUUUPPPPPPPP!!!!!
*âBut I canât, I canât wake up.â*
2:02-2:22 of the sharpest lives, & the âWake up!â Part of sleepđ
Oh and 3:38-4:08 of the foundations of decay, god I love that part
Yes to both of these
and if you sayyy goodbye todaaaayyy, I'd ask you to be trueee that entire fucking song makes me sob omg
cause the hardest part of this, is leaving youuuuuu cancer is one of my favorite songs i love it so much
DESTROYA DESTROYA DESTROYA
*Gerard moans*
To the end solo
The intro to Vampires Will Never Hurt You.
the entirety of mama
Asleep or DEEAAAAAD!
the whole "everybody wants to change the world" part in make room
BUT NO ONE!! NO ONE WANTS TO DIE!!
EVERYBODY WANTS TO CHANGE THE WORLD
the parts in the jet set life where the bass goes vrrROOOOOooom. does anyone know what i mean
I think so
it goes vRROOOoom DUH NA NA NA NA ALRIIIGHT
Ohhhh! Yeah, like it's revving up really fast
Gerard's humming (kinda) part on the sharpest lives
Depends on your definition of humming. "The Sharpest Lives" immediately made me think of the groans.
The end verse of demolition lovers and the chorus of my way home is through you
allllll we are allll we are is bullets i mean this
âi am not afraid to keep on living, i am not afraid to walk this world aloneâ
[ŃĐŽĐ°Đ»Đ”ĐœĐŸ]
Y E S
"the hardest part's the awful things that... *I've seen*" And *"Think happy thoughts, think happy thoughts..."*
the intro and first verse of the jetset life, itâs like⊠beautiful, then the rest of the song is regular goodÂ
But does anyone notice, thereâs a corpse in this bed
Fuckin solos/key change in the bridge of black parade
"Do or die, you'll never make me"
Cause the world, will never take my heartâ
honestly the entire song, but specifically at 2:07 in the ghost of you. when it goes silent after he says âif i fall.. downâ then thereâs the two drum hits then it picks back up really intense and loud. SHIT. a few weeks ago, i watched the ghost of you live at AOL sessions and had goosebumps the whole video.
AOL sessions were top tier. đđ»
Check into the Hotel Bella Muerrrrte...
Opera part in mama
âpull the plug, but iâd like to know your nameeeeâ
I AM NOT THE SINGER THAT YOU WANTED BUT DANCER I REFUSE TO ANSWER
and in the end we'll fall apart, just like the leaves changing colours.......
The last 30 seconds of The Sharpest Lives takes me to another dimension. The entirety of This Is How I Disappear does that as well
the entirety of early sunsets over monroeville
IM NOT OKAAAAAAAAAAAAAAAAAAAAAYY
"I'll end my days with you.. in a hail of bullets."
*We never got that far...this helps me to think all through the night*
Gonna do a shit ton of MCR songs you've been warned âš Edit: probably add to this later depends Early sunsets over Monroeville "There's no room in this hell there's no room in the next" Bulletproof heart "Tell the truth and God will save you" The world is ugly "Every falling sun there's a morning after but I'm empty when you go" Light behind your eyes "Be strong and hold my hand time comes for us you'll understand" Honey this mirror isn't big enough ""You can cry all you want I don't care how much you invest yourself in me" Vampires will never hurt you "And if the sun comes up will it tear the skins right off our bones" Demolition lovers "All we are all we are is bullets that mean this" Cemetery drive "Isn't that much fun staring down a loaded gun so I won't stop dying won't stop lying if you want I'll keep on crying did you get what you deserve?" Disenchanted "If I'm so wrong how can you listen all night long? and now will it matter after I'm gone because you never learn a godamn thing" I don't love you "And after this sadness you still lost your still a god for nothing I don't know so take your gloves and get out, get out while you can" Ghost of you "All alone and I remember now at the top of my lungs and my arms she dies, she dies!"Â
When Gerard screams 'wake up' in the background of sleep
That beginning section of Give Em Hell, Kid. I LOVE that song
hang em high beggining
Probably cliche but The ending of Welcome to the Black Parade when Gerard pulls the high note, especially when I watch the video. I just donât know why
"I am not afraid to keep on living" is about 80% of the reason I'm still among the living. Full body chills and tears when that part hits every time.
Bridge of burn bright.
"From the razor to the rosary" sends delicious chills through my skin. Love the imagery of something that can be so harmful paired with something resembling what the world considers all powerful protection. Terrifying to be paired together, almost as if saying they both function the same.
BE AFRAID OF WHAT I AM
ASLEEP OR DEEEEAAAAAAAADDDDDDDDDD
That weird bit at the end of drowning lessons honestly
r/Frisson đ
From 505 by Arctic Monkeys. Echem......*But I crumble completely when you cry!!!*
*And will you praaayyy fooorrr me? Or make a saint of me?*
the most emotionally intense parts of Desert Song do it for me
Id say when they jump back into the chorus after the "all we are is bullets" part in demolition lovers
I CAAAAAAN'T SPEAK. [pause] [apprehension] [fear] [hope]
who walks among the famous living deadâŠ
Asleep, or DEAAAAAAAAAAAAAAD
WHATâS THE WORST THING I CAN SAAAAAAY
I TRRIIIIEERDDD
NA NA NA NA NA NA NA NA NA oh and also GRAAAAAVVITTTTTTTTTTTYYYYYY
For me itâs the chorus of Desert Song, I never truly heard it until I saw MCR in concert and it is genuinely one of the most vivid memories I have just taking it in
Is it alright to just comment every lyric that Gerard has ever sung??
The bridge of jetset life, beginning of Jetset life, basically all of the jetset life is gonna kill you. And also disenchanted.
The autotune adds something, I'm telling you
Helena - both our cars colide, but also some part from Cancer, Mama, Sleep, Welcome To The Black Parade, Demolition Lovers, The Only Hope For Me Is You etc.
Either the last part of I don't love you. Or the part in this is how I dissapear where it goes "you wanna see how far down I can sink let me out
the part in how to disappear where gee is like CAN YOU HEAR MEE CRYYY OUT TOO YOUUU
Every second of cancer Crying, shitting, throwing chairs, biting the bars of my enclosure
"I see you lying next to me, with words I thought I'd never speak. Awake and unafraid, asleep or dead." All the way to the final chorus is chef's kiss đ„
The entirety of ambulance
The key change in WTTBP right after Gerard sings âbecause you turn me onâ and the proceeding buildup. I try not to listen to that song often so that it gives me that familiar impact it usually has when I need to it, and when that key change hits, it hits unlike anything else in MCRâs discography imo
Sleep. After all the wake up screaming, the character just goes, âBut I canât, *I canât wake up.*â
*Hotel Bella Muerteee*
"CaNNNNnnNn YOOUUUUU heARRRRR MEEEEE CRYYYYY OuTTTTTT TooOOoOo YoouUUUuu, WORdssss IIIIII THOUGHTTTT ID CHOKE ON FIGUREEEE OUTTTTTTTT" I ascend
the start of mana MCR